News

On the occasion of the preview of the 60th International Art Exhibition – La Biennale di Venezia, Biennale Gherdëina invites you to an open air breakfast in the garden of the Venetian Ceramists’ Association I Bochaleri. It will be an opportunity to discover more about The Parliament of Marmots and to meet the curator Lorenzo Giusti and associate curator Marta Papini.

On Fridat 1st March Lorenzo Giusti will present the widespread longterm project “Thinkin Like a Mountain” at Istanbul Modern within the programme “Museum Talk”. GAMeC’s new building, to be located within the Palazzetto dello Sport [Sports Palace], is planned to open in 2026. The project, led by the architectural firm C + S, founded by […]

Edited by Alessandro Rabottini and Leonardo Bigazzi with Bianca Stoppani, this publication provides an overview of the artist’s output over the past three years, and teases out new strands for interpretation and formal links between his films, videos, sculptures, drawings, and installations. A wide-ranging conversation between the artist, Lorenzo Giusti, director of GAMeC, and Étienne Bernard, director of Frac Bretagne, affords a […]

On Tuesday 30 January at La Boîte – Centre D’art Contemporain in Tunis, Lorenzo Giusti, curator of the ninth edition of Biennale Gherdëina will lead Approaching Biennale Gherdëina 9, a conversation with Michael Höpfner (Krems/Danube – Austria, 1972) and Nadia Kaabi-Linke (Tunis – Tunisia, 1978) who is currently on show at La Boîte with Kaf […]

Pirelli HangarBicocca hosts On curving the time, a conversation between artist, performer and author Chiara Bersani and Lorenzo Giusti, GAMeC director, moderated by Giovanna Amadasi. The conversation – with simultaneous LIS interpreters – retraces the stages of Deserters, a project that, combining installation and performance, explores the theme of interdependence. A work that questions new relational practices and undermines stereotypes related t

Deserters is a live installation by Chiara Bersani (b. 1984, San Rocco al Porto, IT) consisting of a performance interpreted by three performers with motor impairments and a large environment in which bodies meet and interact without any aid, leaving traces of their movement. Deserters addresses the issues of vulnerability and interdependence, interweaving the languages of visual art and performance, […]